I don’t get invited to many parties these days, but when I did, I would occasionally be asked the old standby question “what kind of music do you like?” Struggling for an answer beyond the glib – and in any case untrue – “I like all kinds,” I would reel off a grab-bag of genres including guitar rock, alternative rock, folk rock, free jazz and even (depending on how confident I was feeling) industrial. But the genre I felt most comfortable expressing enthusiasm for was progressive rock, having developed a grudging respect for my brother’s Genesis albums in my early teens, followed by my own belated discoveries of Pink Floyd, King Crimson and Van der Graaf Generator (in that order).
Share this post
Steven Wilson, The Harmony Codex (Virgin)
Share this post
I don’t get invited to many parties these days, but when I did, I would occasionally be asked the old standby question “what kind of music do you like?” Struggling for an answer beyond the glib – and in any case untrue – “I like all kinds,” I would reel off a grab-bag of genres including guitar rock, alternative rock, folk rock, free jazz and even (depending on how confident I was feeling) industrial. But the genre I felt most comfortable expressing enthusiasm for was progressive rock, having developed a grudging respect for my brother’s Genesis albums in my early teens, followed by my own belated discoveries of Pink Floyd, King Crimson and Van der Graaf Generator (in that order).